How do you prepare for a commission?
"The A to Z of the issue needs to be researched, both online and with specialised contacts. That usually results in a mini thesis that is the skeleton that I use for the job. I pack suitable clothing, as well as cameras, lighting and sometimes recording gear, and a minimum of two hard drives and backup lenses. Visas are important, as is a support person. Vehicle hire and some form of accommodation should also be pre-booked."
How do you decide who to photograph?
"Ideally you should have already set this up before you leave – this is why research is key. Your fixer/translator should be a big help with this. Approaching people should be based on honesty and openness as much as possible. You should have a basic coverage plan in mind before you get on the plane but be wary of preconceived ideas because you are likely to meet people along the way who change your perspective and who you photograph."
How do you know what not to shoot?
"If all of the photographers are clustered around a scene, you probably don't want to be there."
How do you work with light?
"If I cannot wait for good light I may add my own, which means working quickly to maintain the spontaneity. I use a light meter; if you learn how to use it, you'll know how to use hard light to make interesting images."
What advice would you give someone keen to go pro in this genre?
"Be prepared to work harder than the next person and be obsessive about the subject matter. When you've built a body of work, show your work to editors but don't think you can walk into the top publications and agencies. Start smaller. It's important to go to portfolio reviews and do more listening than talking. Portfolio reviews often aren't free but they are the most direct route to people who can make a difference in your career."
What piece of Canon kit can you not live without, and why?
"My Canon RF 24-70mm F2.8L IS USM is the workhorse. As the lens quality has improved, it’s made it possible to travel with less and be less conspicuous. What I’m really waiting for is the next generation of the RF 28-70mm F2L lens. This should be lighter and sharper, and that will be the next must-have piece of kit for me."
What else could we discover in your kitbag that helps you elevate your work?
"Honestly, a small 4TB SD hard drive gives me peace of mind and enables me to get more experimental in my work. My laptop lets me get work out while still in the field and, again, that gives me peace of mind. Once I have that, I can pursue anything – and that usually means the story gets more interesting."